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Tag: Darrell Ang

Standing ovation for Rossini’s La Cenerentola in Manila

Spellbinding performance of tenor Arthur Espiritu as Prince Ramiro with the all-male choir, Aleron. Photo by Anna Leah Sarabia.
Spellbinding performance of tenor Arthur Espiritu as Prince Ramiro with the all-male choir, Aleron. Photo by Anna Leah Sarabia.
By Pablo A. Tariman, VERA Files

Rossini’s La Cenerentola made its Philippine debut Saturday night (August 15, 2015) at the Meralco Theater with a cheering crowd who loved opera’s retelling of Cinderella with another twist: no overbearing stepmother, no missing golden slippers.

Instead we are treated to a tale of the bracelet which ultimately sealed the love of the prince and the commoner.

For one, there were no sets and elaborate costumes.

Mounted in concert form, the Manila Symphony Orchestra under the baton of Darrell Ang shared the stage with the cast namely Arthur Espiritu (Don Ramiro), Karin Mushegain (Angelina as Cinderella), Noel Azcona (Don Magnifico), Byeong-in-Park (Dandini), Ronnie Abarquez (|Alindoro), Myramae Meneses (Clorinda) along with the Aleron All-Male choir.

Rossini’s La Cenerentola stirs anticipation

: Maestro Darrell Ang, Cenerentola herself (Karin Mushegain) and  tenor Arthur Espiritu field questions from the press.
: Maestro Darrell Ang, Cenerentola herself (Karin Mushegain) and tenor Arthur Espiritu field questions from the press.
By Elizabeth Lolarga, VERA Files

Photos by Anna Leah Sarabia

THE cast and music directors of La Cenerentola promise not to change a thing that Gioachino Rossini had written in his opera. Well, maybe skip parts or let the voice of the storyteller take over but to change to make it easier for the human voice? No way, if Maestro Darrell Ang can help it.

Even young mezzo soprano Karin Mushegain, playing the title role of oppressed stepsister Angelina (a.k.a. Cenerentola) and who done the part more than 30 times in various opera houses abroad, said, “For the Manila audience, I wouldn’t change a thing: the glory of Rossini’s music in all its splendour must be revealed, layer by layer, note by note!”

Written when Rossini was in his mid-20s, La Cenerentola has a million notes and tongue-twisting lyrics. It presents a challenge to any seasoned classical musician, including instrumentalists.